We’ve all heard the rap:
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“Websites designed with CSS are usually boxy and hard-edged. The place are the rounded corners?”
Reply: the rounded corners are proper right here. On this article, we’ll present how personalized borders and corners might be utilized to totally fluid and versatile layouts with dynamic content material, utilizing sound and semantically logical markup.
Within the instance markup under, XHTML line breaks have been inserted to pad out dummy paragraphs:
<h2>Article header</h2>
<p>
A number of paragraphs of article textual content.<br />
A number of paragraphs of article textual content.
</p>
<p>
A number of paragraphs of article textual content.<br />
A number of paragraphs of article textual content.
</p>
<p>
A paragraph containing writer data
</p></code></pre><h2>The hooks</h2>If we would like full management of the format, we want to verify we have now sufficient components we are able to goal with our CSS. Let’s name these components “hooks.” Our markup wants only a few extra.To start with, let’s wrap the entire article in a containing <code title="structural division">div</code>, after which wrap every structural part in an acceptable aspect:<pre><code><robust>
<div class="Article">
<h2>Article header</h2> <div class="ArticleBody">
<p>
A number of paragraphs of article textual content.<br />
A number of paragraphs of article textual content.
</p> <p>
A number of paragraphs of article textual content.<br />
A number of paragraphs of article textual content.
</p>
</div>
<div class="ArticleFooter">
<p>
A paragraph containing writer data
</p>
</div>
</div>If we study the markup, we’ll see that we have now given ourselves no less than 5 hooks, which is all we have to place personalized graphics in every of the 4 corners (and left facet) of our article.
See Step 1 — main markup.
First let’s resolve on some primary format parameters. Our graphic designer gave us this mockup for reference:
“I would like the borders and corners to look one thing like this,” he mentioned. He additionally advised us to pay attention to the truth that all articles might have completely different widths and heights, and that he nonetheless wasn’t certain what sort of background he needed the articles to have. The truth is, he wasn’t even certain these had been the borders he needed.
“May you allow that open, or make it in order that it’s simple to vary?” he requested.
The method#section4
We intend to maintain the variety of hooks as little as attainable, so we’ll must pay additional consideration once we begin to put together the photographs for our resolution, and guarantee that the graphics we want are appropriate to be hooked as much as components already current in our doc.
Now we have a div containing the entire article. That’ll do for our prime left nook and prime and left sides. Header components are block-level by default, and we’ll benefit from their conduct: they lengthen to the complete width of their guardian aspect. So we’ll use the <h2> aspect for our prime proper nook.
We’ll use our article-footer div for the underside left nook — and the contained paragraph for our backside proper nook.
Step 1.1 exhibits how we slice up the sketch.
Word: Clearly, you need to use any aspect to hook graphics up with. Your doc’s markup is unlikely to precisely match the construction utilized in our instance. For all we all know, chances are you’ll solely have a single paragraph of textual content to which you hope to use personalized corners and borders. You’ll be able to simply achieve this.As said earlier, all you want is no less than 4 structural components. (Relying on the peak of your aspect chances are you’ll require 5.)
If vital, these components could possibly be nonsemantic divs, every with its personal class. Simply do not forget that for a div aspect to be rendered, it should include content material to manifest its presence. Additionally remember that in case your content material lends itself to frequent structural components corresponding to headers, paragraphs, and so forth, you may and may use these as an alternative of counting on nonsemantic divs.
To proceed, let’s activate aspect borders and set a relative width for the div that incorporates the entire article, to see how issues behave:
div.Article {
width:35%;
border: 1px stable crimson; }
div.Article h2 {
border: 1px stable blue; }
div.ArticleBody {
border: 1px stable black; }
div.ArticleFooter {
border: 1px stable blue; }
div.ArticleFooter p {
border: 1px stable magenta; }See Step 2 — primary aspect behaviour
Nothing actually shocking right here. We do, nevertheless, take discover of the gaps showing earlier than and after our div class=“ArticleBody”. Ignoring that downside for now, we’ll go on and write ourselves a mode sheet:
physique {
background: #cbdea8;
font: 0.7em/1.5 Geneva, Arial, Helvetica, sans-serif;
}
div.Article {
background:
url(photographs/custom_corners_topleft.gif)
prime left no-repeat;
width:35%;
}
div.Article h2 {
background:
url(photographs/custom_corners_topright.gif)
prime proper no-repeat;
}
div.ArticleBody {
background:
url(photographs/custom_corners_rightborder.gif)
prime proper repeat-y;
}
div.ArticleFooter {
background:
url(photographs/custom_corners_bottomleft.gif)
backside left no-repeat;
}
div.ArticleFooter p {
background:
url(photographs/custom_corners_bottomright.gif)
backside proper no-repeat;
}See Step 3 — first try.
Not dangerous in any respect! Truly higher than we anticipated. Clearly we have to add some padding to our respective components to make the format look higher — after which there are these pesky gaps to repair. The gaps are attributable to the carriage returns inserted by our paragraph (block) components. We might keep away from utilizing paragraph components altogether and thereby bypass the issue, however — for causes well-known to ALA readers — we choose to maintain our markup structurally clear and logical. It isn’t our knowledge’s fault that we’re lazy stylers.
In our first go, we assumed {that a} carriage return should equal 1.5em, as that was the worth we specified for our line-height. Subsequently our first try was so as to add a margin-top:-1.5em to our ArticleBody and ArticleFooter. It labored completely in most standards-compatible browsers — all besides those utilized by the 94% of web customers on this planet (no names, please).After testing, trial, error, rinse, and repeat we discover that we should use no less than a margin-top:-2em to make certain that the weather contact and the hole closes:
div.Article {
background:
url(photographs/custom_corners_topleft.gif)
prime left no-repeat;
width:35%;
}
div.Article h2 {
background:
url(photographs/custom_corners_topright.gif)
prime proper no-repeat;
font-size:1.3em;
padding:15px;
margin:0;
}
div.ArticleBody {
background:
url(photographs/custom_corners_rightborder.gif)
prime proper repeat-y;
margin:0;
margin-top:-2em;
padding:15px;
}
div.ArticleFooter {
background:
url(photographs/custom_corners_bottomleft.gif)
backside left no-repeat;
}
div.ArticleFooter p {
background:
url(photographs/custom_corners_bottomright.gif)
backside proper no-repeat;
show:block;
padding:15px;
margin:-2em 0 0 0;
}Step 4 —appears like we’re lastly there!
Backward compatibility?#section6
If you happen to’ve been viewing this instance in Netscape 4.x, you’ve most likely observed that the web page exhibits up clean. We’ve discovered no option to get this system to work acceptably in NS 4.x, so as an alternative we’re going to cover the kinds that the browser in query can’t render correctly. NS 4.x doesn’t perceive model tags with media=“all” specified and we’ve taken benefit of that within the instance that follows. We’ve made two model tags, one with kinds we would like all browsers to render, and one other we intend to cover from NS 4.x. Despite the fact that it breaks our coronary heart to take action, we’ve additionally modified our font measurement specification from ems to pixels. You needed backward compatibility — you’ve obtained it.
Step 5 — swish degradation in NS 4.x
“Yeah — however we wish to see real-world functions, mate,” you say. We anticipated that and offered an instance of the approach utilized in a extra superior context. We borrowed an already totally examined format from Alex Robinson, and utilized our kinds to it — and we’re glad we did!Our first try unleashed a cavalcade of calamities in IE6/Win, triggering bugs affecting z-index stacking stage of our components. Whole components disappeared; margins acted like kids saved up long gone their bedtime. It was a large number.
Then we discovered {that a} easy place:relative and a nicely positioned <br /> might repair all the pieces. View the supply in Step 6 for additional investigation.
Step 6 — our try at making use of our approach to a full-fledged format with headers, columns, and footers
When you have been paying consideration, you most likely notice this instance solely performs nicely with surrounding, solid-color backgrounds. With this technique we have to cowl the graphics from the highest left nook with the graphics within the prime proper nook.
If we made the highest proper nook graphic clear, the highest left graphic beneath it might present. Identical goes for the underside. And that’s certainly a limitation. Maybe in a Half II version of this text we’ll present work with gradient backgrounds.In the meantime, this text demonstrates a generic technique, with backward compatibilty and sound markup in thoughts, and it’s our honest hope that this may encourage a whole lot of offspring and concepts — even perhaps some that keep away from the necessity to work with stable background colours.
Brian Alvey for discussions, insisting on swish degradation and actual world examples, and David Schontzler for serving to a Danish dude write technical textual content in English.
Whereas we had been getting ready this ALA subject for publication, designer Ryan Thrash got here up with a virtually equivalent strategy to the issue of making rounded CSS bins primarily based on semantically right markup. Thrash and Madsen got here up with their approaches independently of one another; each authors acknowledge the affect of Douglas Bowman’s earlier ALA articles, Sliding Doorways of CSS (20 October 2003) and Sliding Doorways of CSS II (30 October 2003).Independently of all that, ALA techniques designer Brian Alvey beforehand crafted a special strategy to rounded corners, which can be seen at Weblogs, Inc. It’s all good. — Ed.
